Dealing in Distance
2026 | Dealing in Distance Art Festival | Supported by Goethe Institut | Curated by RED (Yen Hai Nguyen) | Hanoi
Dealing in Distance
Residual Routes: Willst du mit uns gehen? | 2017/2026, Reworked for Dealing in Distance
Originally developed during his 2017 residency in Frankfurt, Willst du mit uns gehen? (Do You Want to Come with Us?) explored migration, displacement, and the search for belonging.
For Dealing in Distance, Zelin Seah revisits the work using second-hand blankets collected from flea markets in Frankfurt, filling them with oil palm empty fruit bunch (EFB) fibres from Southeast Asia. The intervention extends the original exploration of migration to the movement of labour and resources across geographical and economic boundaries.
The work draws attention to Southeast Asian migrant communities whose labour has become part of everyday life in Europe, from restaurants and small businesses to domestic and service work. Often expected to remain quiet, adaptable, and hardworking, these individuals navigate unfamiliar environments where silence may be regarded as a virtue or adopted as a means of survival, yet can also leave them vulnerable to exploitation.
The blankets, associated with warmth, shelter, and rest, become vessels carrying the residues of plantation economies. By bringing together discarded domestic objects from Europe and agricultural waste from Southeast Asia, Seah traces the unequal movement of people, materials, and labour within interconnected global systems.
The work questions whose mobility is celebrated, whose labour remains invisible, and what it means to seek a place to belong while carrying the weight of elsewhere.
Would you wrap’n roll? | 2026
In Hanoi, Dealing in Distance was reinterpreted through a performance by Tolo Puppet Theatre. Using Seah's wearable, blanket-like sculptures, the performers adopted an almost anti-performative approach, beginning as seemingly motionless objects before gradually revealing subtle signs of life through barely perceptible movements. Responding to Seah's earlier work Willst du mit uns gehen? (Would You Come with Us?), the performance evokes the vulnerability, uncertainty and quiet endurance of those living in displacement.
https://www.instagram.com/p/DTpyGTCDytX/?img_index=1
Botanical Afternoon Tea Time | 2026
Collaborative Lecture-Performance, Hanoi
Botanical Afternoon Tea Time brought together artists from Vietnam, Thailand, Hong Kong, the Philippines and Malaysia to explore how tea cultures have evolved through migration, trade and colonial encounters.
Through conversations and sensory activities, participants exchanged tea traditions and reflected on the historical influences shaping everyday drinking habits. Ground Table facilitated a hands-on bun-making activity, while Hanoi-based artist Nguyen Vu Hai shared Vietnamese tea practices and their cultural significance. Zelin Seah introduced Malaysian milk tea traditions shaped by British colonial influences, alongside a participatory dessert-making session using chocolate containing palm oil.
The gathering concluded with a meditative sound performance by Angeline de Dios. Through making, tasting, touching, smelling and listening, the lecture-performance approached tea as a shared cultural practice, revealing how plants and everyday rituals carry histories of exchange, adaptation and colonial influence.
https://www.instagram.com/p/DThBNFcDxER/?img_index=1